Discourse, Band 14Indiana University Press, 1992 |
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Seite 165
... women as mothers . Suleiman's response to the surrealist image of woman as a passive mannequin is thus to reinvent the mother as an active and playful subject . This most inventive moment in Suleiman's book takes place in the pro- logue ...
... women as mothers . Suleiman's response to the surrealist image of woman as a passive mannequin is thus to reinvent the mother as an active and playful subject . This most inventive moment in Suleiman's book takes place in the pro- logue ...
Seite 97
... women furthers the agendas of the dominant class in which certain women have a stake . Rather I am interested in how this effort to understand women as " products and agents of hegemony " nonetheless produces women in the context of ...
... women furthers the agendas of the dominant class in which certain women have a stake . Rather I am interested in how this effort to understand women as " products and agents of hegemony " nonetheless produces women in the context of ...
Seite 119
other women's lives in Writing a Woman's Life makes it clear that contemporary uses of literature among other women can be similarly motivated . In fact , gender is an occasion for much of this reflection — being arguably the dimension ...
other women's lives in Writing a Woman's Life makes it clear that contemporary uses of literature among other women can be similarly motivated . In fact , gender is an occasion for much of this reflection — being arguably the dimension ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York