Discourse, Band 14Indiana University Press, 1992 |
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Seite 127
... voice ( the name he goes by in the " Original Record " of his sessions . with Freud ) , the voice of Ernst himself , that Freud hears on the couch ? Is this the voice Freud makes heard at the Salzburg Congress and in the Jahrbuch ...
... voice ( the name he goes by in the " Original Record " of his sessions . with Freud ) , the voice of Ernst himself , that Freud hears on the couch ? Is this the voice Freud makes heard at the Salzburg Congress and in the Jahrbuch ...
Seite 188
... voice resonate through the entire body , originating in the dia- phragm , larynx , and mouth , and resounding through the jaws and cranium before ever reentering through the ears . The voice is lived as a simultaneous density of bodily ...
... voice resonate through the entire body , originating in the dia- phragm , larynx , and mouth , and resounding through the jaws and cranium before ever reentering through the ears . The voice is lived as a simultaneous density of bodily ...
Seite 191
... voice always poses a distinct ontological risk : the recorded voice is the stolen voice , which returns to the speaker as the hallucinatory , disembodied presence of another . This other's voice may be the voice of God the acousmetric voice ...
... voice always poses a distinct ontological risk : the recorded voice is the stolen voice , which returns to the speaker as the hallucinatory , disembodied presence of another . This other's voice may be the voice of God the acousmetric voice ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York