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Seite 127
It's likewise a banality to remark upon how the voice and the characteristics of the voice change from one scene to the next . And banal to remark upon how each of these changes corresponds to a work , a manner , shall we say , an art .
It's likewise a banality to remark upon how the voice and the characteristics of the voice change from one scene to the next . And banal to remark upon how each of these changes corresponds to a work , a manner , shall we say , an art .
Seite 188
The spoken words of one's own voice resonate through the entire body , originating in the diaphragm , larynx , and mouth , and resounding through the jaws and cranium before ever reentering through the ears . The voice is lived as a ...
The spoken words of one's own voice resonate through the entire body , originating in the diaphragm , larynx , and mouth , and resounding through the jaws and cranium before ever reentering through the ears . The voice is lived as a ...
Seite 191
In contrast to the demonic ( and human ) voices that had tormented him , he can now broadcast and thus universalize his own passions , his final revenge . Yet recording the voice always poses a distinct ontological risk : the recorded ...
In contrast to the demonic ( and human ) voices that had tormented him , he can now broadcast and thus universalize his own passions , his final revenge . Yet recording the voice always poses a distinct ontological risk : the recorded ...
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York