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Seite 127
It's likewise a banality to remark upon how the voice and the characteristics of the voice change from one scene to the next . And banal to remark upon how each of these changes corresponds to a work , a manner , shall we say , an art .
It's likewise a banality to remark upon how the voice and the characteristics of the voice change from one scene to the next . And banal to remark upon how each of these changes corresponds to a work , a manner , shall we say , an art .
Seite 188
The spoken words of one's own voice resonate through the entire body , originating in the dia- phragm , larynx , and mouth , and resounding through the jaws and cranium before ever reentering through the ears . The voice is lived as a ...
The spoken words of one's own voice resonate through the entire body , originating in the dia- phragm , larynx , and mouth , and resounding through the jaws and cranium before ever reentering through the ears . The voice is lived as a ...
Seite 191
In contrast to the demonic ( and human ) voices that had tormented him , he can now broad- cast and thus universalize his own passions , his final revenge . Yet recording the voice always poses a distinct ontological risk : the recorded ...
In contrast to the demonic ( and human ) voices that had tormented him , he can now broad- cast and thus universalize his own passions , his final revenge . Yet recording the voice always poses a distinct ontological risk : the recorded ...
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