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... necessarily involves a relationship to gender — a conneca tion suggested by Grossberg's expressed fear that television is usurping the place of the maternal bond , the ultimate affective force and the primary signifier of emotion in ...
... necessarily involves a relationship to gender — a conneca tion suggested by Grossberg's expressed fear that television is usurping the place of the maternal bond , the ultimate affective force and the primary signifier of emotion in ...
Seite 122
tion , reproduction : the spinster sister presumptively holds on her lap the suckling child , now heir to the feminine line . The wife standing by her sister's side becomes less the man's wife and more the son's mother , the mother's ...
tion , reproduction : the spinster sister presumptively holds on her lap the suckling child , now heir to the feminine line . The wife standing by her sister's side becomes less the man's wife and more the son's mother , the mother's ...
Seite 168
tion provide the basis of a new culture . She rightly points out that this convergence does not simply enable women's participation in artistic movements ; in a utopian sense , it opens a way out of the " grand narrative " of sexual ...
tion provide the basis of a new culture . She rightly points out that this convergence does not simply enable women's participation in artistic movements ; in a utopian sense , it opens a way out of the " grand narrative " of sexual ...
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York