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For destruc- tion art is exhausting . It requires not only consideration of the most urgent and often overwhelming conditions of life but also constant vigilance so that the dissociative desires to escape into numbed acquiescence do not ...
For destruc- tion art is exhausting . It requires not only consideration of the most urgent and often overwhelming conditions of life but also constant vigilance so that the dissociative desires to escape into numbed acquiescence do not ...
Seite 78
The Forgotten " is " something that never ceases to be forgotten , " a state that " one has tried to forget by killing it " but that advances , nevertheless , " in the direc- tion of the immemorial through the destruction of its ...
The Forgotten " is " something that never ceases to be forgotten , " a state that " one has tried to forget by killing it " but that advances , nevertheless , " in the direc- tion of the immemorial through the destruction of its ...
Seite 85
DIAS was also the model for a number of subsequent exhibi- tions in which artists learned to expand the languages of destruc- tion art . It was , for instance , the prototype for the conference entitled The Dialectics of Liberation ...
DIAS was also the model for a number of subsequent exhibi- tions in which artists learned to expand the languages of destruc- tion art . It was , for instance , the prototype for the conference entitled The Dialectics of Liberation ...
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