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The specific narrative engagement with these contemporary social fears and legal coordinates suggests that Sensationalism was concerned not only with the Law ( the transcendent signifier of individual composition ) but also with the ...
The specific narrative engagement with these contemporary social fears and legal coordinates suggests that Sensationalism was concerned not only with the Law ( the transcendent signifier of individual composition ) but also with the ...
Seite 153
Grosz herself suggests that “ what marks ... commentary as productive or creative , as philosophy proper , is the capacity to depart from the text on which commentaries are based , to go further or in a new direction ” ( 207 ) .
Grosz herself suggests that “ what marks ... commentary as productive or creative , as philosophy proper , is the capacity to depart from the text on which commentaries are based , to go further or in a new direction ” ( 207 ) .
Seite 219
Weinbren does so with his twin monitors suggesting audiovisual associations while splitting up the viewer's attention , multiple discs , and very active touch screen , which allows the participant " editor " to respond intuitively .
Weinbren does so with his twin monitors suggesting audiovisual associations while splitting up the viewer's attention , multiple discs , and very active touch screen , which allows the participant " editor " to respond intuitively .
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York