Discourse, Band 14Indiana University Press, 1992 |
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Seite 155
... speak . She does this throughout almost all of the performance with short interruptions during which she makes large circles with her arms , balances herself on the rope , or runs around the set . The scenes , following one after the ...
... speak . She does this throughout almost all of the performance with short interruptions during which she makes large circles with her arms , balances herself on the rope , or runs around the set . The scenes , following one after the ...
Seite 195
... speak only once ; most never speak , or even appear , at all . They exist only through their names : existence is reduced to nomination , to pure connotation , without any possibility of description . Every such unique name is a hapax ...
... speak only once ; most never speak , or even appear , at all . They exist only through their names : existence is reduced to nomination , to pure connotation , without any possibility of description . Every such unique name is a hapax ...
Seite 135
... speak , from the spectacle behind the door . Along with the conceptual efface- ment of gender or , more adequately , the feminine , Sartre thus also obliterates the traces of sexual politics involved in the act of voyeurism . It is ...
... speak , from the spectacle behind the door . Along with the conceptual efface- ment of gender or , more adequately , the feminine , Sartre thus also obliterates the traces of sexual politics involved in the act of voyeurism . It is ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York