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Seite 155
The artist arrives and imme- diately begins to speak . She does this throughout almost all of the performance with short interruptions during which she makes large circles with her arms , balances herself on the rope , or runs around ...
The artist arrives and imme- diately begins to speak . She does this throughout almost all of the performance with short interruptions during which she makes large circles with her arms , balances herself on the rope , or runs around ...
Seite 195
Many of these " characters " speak only once ; most never speak , or even appear , at all . They exist only through their names : existence is reduced to nomination , to pure connotation , without any possibility of description .
Many of these " characters " speak only once ; most never speak , or even appear , at all . They exist only through their names : existence is reduced to nomination , to pure connotation , without any possibility of description .
Seite 135
enters the stage , so to speak , as a substitute for the " will to power . " Since love cannot be willed , “ love can in no way be distinguished from the enterprise of seduction " ( 454 ) . Inverting the original dynamic of the gaze ...
enters the stage , so to speak , as a substitute for the " will to power . " Since love cannot be willed , “ love can in no way be distinguished from the enterprise of seduction " ( 454 ) . Inverting the original dynamic of the gaze ...
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