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Seite 4
In this regard , see the plaintive ending of Derrida's essay on Artaud , that tutelary figure of theater and theory , where “ to think the closure of representation is to think the tragic : not as the representation of fate , but the ...
In this regard , see the plaintive ending of Derrida's essay on Artaud , that tutelary figure of theater and theory , where “ to think the closure of representation is to think the tragic : not as the representation of fate , but the ...
Seite 5
As we think over the widening parameters of performance in a period where cultural theory has been dreaming ( with more or less fervor or alarm ) the end of representation , or that system of representation , the presence of theater in ...
As we think over the widening parameters of performance in a period where cultural theory has been dreaming ( with more or less fervor or alarm ) the end of representation , or that system of representation , the presence of theater in ...
Seite 78
Indeed , as representation , Hiroshima identifies destruction as both the extremity and the center of survival where the body figures as the text . Survival , Lifton writes , leaves a “ death imprint that is accompanied by “ death ...
Indeed , as representation , Hiroshima identifies destruction as both the extremity and the center of survival where the body figures as the text . Survival , Lifton writes , leaves a “ death imprint that is accompanied by “ death ...
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York