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Seite 28
Truly a “ family affair , ” the familial defines not only the medium's preferred subject matter , but also the structure of both its time flow and mode of address , and TV's central position within domestic space strengthens just this ...
Truly a “ family affair , ” the familial defines not only the medium's preferred subject matter , but also the structure of both its time flow and mode of address , and TV's central position within domestic space strengthens just this ...
Seite 94
... legitimize a protest against Modleski's critique of certain feminist alignments with reigning theoretical positions . ... as an archaic signifier , [ this position ) glosses over the referential suffering of women " ( Miller 49 ) .
... legitimize a protest against Modleski's critique of certain feminist alignments with reigning theoretical positions . ... as an archaic signifier , [ this position ) glosses over the referential suffering of women " ( Miller 49 ) .
Seite 101
... project of theorizing reading as a negotiation of socially constructed subject - positions ” ( 35 ) . ... and capable of announcing itself as one position while deploying others as it strategically negotiates the powers it wishes to ...
... project of theorizing reading as a negotiation of socially constructed subject - positions ” ( 35 ) . ... and capable of announcing itself as one position while deploying others as it strategically negotiates the powers it wishes to ...
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York