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Seite 132
But then , it speaks about the affect in the third person . An affect is like death and like birth : if it is thought , articulated , recounted , it is that of the other , of others . 10. In Freud , it is not the opposition between ...
But then , it speaks about the affect in the third person . An affect is like death and like birth : if it is thought , articulated , recounted , it is that of the other , of others . 10. In Freud , it is not the opposition between ...
Seite 60
Originally developed primarily to deal with an unauthorized use of a person's name a or picture in advertising that suggested the individual's endorsement of a product , the right of publicity has been greatly expanded in the twentieth ...
Originally developed primarily to deal with an unauthorized use of a person's name a or picture in advertising that suggested the individual's endorsement of a product , the right of publicity has been greatly expanded in the twentieth ...
Seite 135
The lover's illusion of “ transcendence ” or “ pure subjectivity ' is , however , always inherently threatened by the actual or virtual gaze of a third person : a “ it suffices that the lovers should be looked at together by a third ...
The lover's illusion of “ transcendence ” or “ pure subjectivity ' is , however , always inherently threatened by the actual or virtual gaze of a third person : a “ it suffices that the lovers should be looked at together by a third ...
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York