Discourse, Band 14Indiana University Press, 1992 |
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Seite 144
... performance art three kinds of practition- ers : ( 1 ) video artists who reclaimed performance art for their own purposes by making it an autonomous art form , entirely in a class by itself , which thereafter distanced itself from perfor- ...
... performance art three kinds of practition- ers : ( 1 ) video artists who reclaimed performance art for their own purposes by making it an autonomous art form , entirely in a class by itself , which thereafter distanced itself from perfor- ...
Seite 149
it was fulfilled . Which is what performance art seems to have accomplished . Surely performance art today , or what is left of it , is no longer fulfilling the function of contestation ( except very incidentally , or remotely , in ...
it was fulfilled . Which is what performance art seems to have accomplished . Surely performance art today , or what is left of it , is no longer fulfilling the function of contestation ( except very incidentally , or remotely , in ...
Seite 159
... performance art . The approach of Cantsin was rather more in keeping with an existentialist form of performance art , while that of Mercille was more feminist and committed . 3 It is interesting to note that the notion of ...
... performance art . The approach of Cantsin was rather more in keeping with an existentialist form of performance art , while that of Mercille was more feminist and committed . 3 It is interesting to note that the notion of ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York