Discourse, Band 14Indiana University Press, 1992 |
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Seite 26
... painting entitled " The Amer- ican Action Painters " in the journal Art News in 1952. He wrote the essay after having interviewed Pollock in 1949 , at which time the painter had expressed his belief in the primacy of the act of painting ...
... painting entitled " The Amer- ican Action Painters " in the journal Art News in 1952. He wrote the essay after having interviewed Pollock in 1949 , at which time the painter had expressed his belief in the primacy of the act of painting ...
Seite 27
... painter itself enters into the painting ; the painter wants to " literally be in the painting " ( Pollock ) . “ When I am in my painting , I am not aware of what I'm doing " was Pollock's famous definition that changed the shape of painting ...
... painter itself enters into the painting ; the painter wants to " literally be in the painting " ( Pollock ) . “ When I am in my painting , I am not aware of what I'm doing " was Pollock's famous definition that changed the shape of painting ...
Seite 28
... painting introduced the concept of action to art during the 1950s , thus giving rise to the demand that the difference between art and life be transcended . Developments in the subsequent decades concentrated increasingly on freeing the ...
... painting introduced the concept of action to art during the 1950s , thus giving rise to the demand that the difference between art and life be transcended . Developments in the subsequent decades concentrated increasingly on freeing the ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York