Discourse, Band 14Indiana University Press, 1992 |
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Seite 175
... Modern Studies concentration in the Department of English and Comparative Literature at UWM . She is writing a dissertation presently enti- tled " Logics of Detachment : Depersonalization and Host Bodies in Döblin , Céline , de Man ...
... Modern Studies concentration in the Department of English and Comparative Literature at UWM . She is writing a dissertation presently enti- tled " Logics of Detachment : Depersonalization and Host Bodies in Döblin , Céline , de Man ...
Seite 182
... modern ( reminiscent of the Foucault of The Order of Things ) , which at first sight seems to follow a pretty familiar problematic of crises and breaks . Thus he begins by characterizing the modern as both a result of the trauma of the ...
... modern ( reminiscent of the Foucault of The Order of Things ) , which at first sight seems to follow a pretty familiar problematic of crises and breaks . Thus he begins by characterizing the modern as both a result of the trauma of the ...
Seite 184
... modern cinema , because it introduces the direct time - image . In regular movement too we get of course a sense of time , but indirectly , time as a function of move- ment . With the deregulation of movement , however , time does not ...
... modern cinema , because it introduces the direct time - image . In regular movement too we get of course a sense of time , but indirectly , time as a function of move- ment . With the deregulation of movement , however , time does not ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York