Discourse, Band 14Indiana University Press, 1992 |
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Seite 88
... means anything , the term means something worse than bad , something experienced that cannot be recuperated by acceptable , articulate aesthetics . The reasons for its position as the expletive of representation are many.
... means anything , the term means something worse than bad , something experienced that cannot be recuperated by acceptable , articulate aesthetics . The reasons for its position as the expletive of representation are many.
Seite 95
this is not to deny their validity ; it only means that their validity is constructed by means of particular discursive and argumenta- tive practices " ( 43 ) . Artists concerned with destruction have focused this discourse most clearly ...
this is not to deny their validity ; it only means that their validity is constructed by means of particular discursive and argumenta- tive practices " ( 43 ) . Artists concerned with destruction have focused this discourse most clearly ...
Seite 173
... means to reread three texts : Beckett's Not I , Pirandello's It Is So ! ( If You Think So ) , and Antonin Artaud's ... mean such a reading to be exclusive , but to show how the particular narra- tive I'm bringing to bear here serves as a ...
... means to reread three texts : Beckett's Not I , Pirandello's It Is So ! ( If You Think So ) , and Antonin Artaud's ... mean such a reading to be exclusive , but to show how the particular narra- tive I'm bringing to bear here serves as a ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York