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Seite 77
He prefers that his old owner no longer use the familiar form of address ( " Du " ) when speaking to him . He wants to take the learned man on a journey as his traveling companion , as a spa - shadow ( Kurschatten ) .
He prefers that his old owner no longer use the familiar form of address ( " Du " ) when speaking to him . He wants to take the learned man on a journey as his traveling companion , as a spa - shadow ( Kurschatten ) .
Seite 132
With the dominance of the media as reality — and with the hyperrealism that results from this — one can now say , we now live in a mixture of outer and inner worlds , of public and private , of nature and culture that can no longer be ...
With the dominance of the media as reality — and with the hyperrealism that results from this — one can now say , we now live in a mixture of outer and inner worlds , of public and private , of nature and culture that can no longer be ...
Seite 149
Surely performance art today , or what is left of it , is no longer fulfilling the function of contestation ( except very incidentally , or remotely , in other parts of the world ) . It does not even seem to be fulfilling any function ...
Surely performance art today , or what is left of it , is no longer fulfilling the function of contestation ( except very incidentally , or remotely , in other parts of the world ) . It does not even seem to be fulfilling any function ...
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York