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Seite 77
He prefers that his old owner no longer use the familiar form of address ( " Du " ) when speaking to him . He wants to take the learned man on a journey as his traveling companion , as a spa - shadow ( Kurschatten ) .
He prefers that his old owner no longer use the familiar form of address ( " Du " ) when speaking to him . He wants to take the learned man on a journey as his traveling companion , as a spa - shadow ( Kurschatten ) .
Seite 132
With the dominance of the media as reality — and with the hyperrealism that results from this one can now say , we now live in a mixture of outer and inner worlds , of public and private , of nature and culture that can no longer be ...
With the dominance of the media as reality — and with the hyperrealism that results from this one can now say , we now live in a mixture of outer and inner worlds , of public and private , of nature and culture that can no longer be ...
Seite 149
Surely performance art today , or what is left of it , is no longer fulfilling the function of contestation ( except very incidentally , or remotely , in other parts of the world ) . It does not even seem to be fulfilling any function ...
Surely performance art today , or what is left of it , is no longer fulfilling the function of contestation ( except very incidentally , or remotely , in other parts of the world ) . It does not even seem to be fulfilling any function ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York