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Seite 46
I wonder where in that schema you would place Fredric Jameson , a figure who's seen as fiercely defending history but who is also central to your own work . Does his work fit neatly on any one of these three levels ?
I wonder where in that schema you would place Fredric Jameson , a figure who's seen as fiercely defending history but who is also central to your own work . Does his work fit neatly on any one of these three levels ?
Seite 17
That's why the return of the human figure could be anticipated in painting once the painters themselves moved into performance . " The artists who shifted from figuration to the medium of the body itself , " Stiles writes , " not only ...
That's why the return of the human figure could be anticipated in painting once the painters themselves moved into performance . " The artists who shifted from figuration to the medium of the body itself , " Stiles writes , " not only ...
Seite 10
Only by doing so , in fact , can I say that something unusual about the figure of Keating is its simultaneous availability to me in several affective registers . Widely distributed over time in differing ...
Only by doing so , in fact , can I say that something unusual about the figure of Keating is its simultaneous availability to me in several affective registers . Widely distributed over time in differing ...
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