Discourse, Band 14Indiana University Press, 1992 |
Im Buch
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Seite 37
... fact that melodrama has engulfed much of television's output and , further- more , that this is related to the ways in which television is figured as a " feminine " form ( “ All That " 138-39 ) . On the confessional structure of ...
... fact that melodrama has engulfed much of television's output and , further- more , that this is related to the ways in which television is figured as a " feminine " form ( “ All That " 138-39 ) . On the confessional structure of ...
Seite 151
... fact that such an artistic experience excludes the possibility of having an audience , even if only a single spectator . ( Actually , there were people who lived in the vicinity of the Wall who saw the strangers passing , and some of ...
... fact that such an artistic experience excludes the possibility of having an audience , even if only a single spectator . ( Actually , there were people who lived in the vicinity of the Wall who saw the strangers passing , and some of ...
Seite 78
... fact and fiction that is meant to provide the scaffolding for this conceptual structure becomes increasingly fragile in postmodernity as societies become saturated with signification and the value of the hyperreal accelerates . Courts ...
... fact and fiction that is meant to provide the scaffolding for this conceptual structure becomes increasingly fragile in postmodernity as societies become saturated with signification and the value of the hyperreal accelerates . Courts ...
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