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Seite 117
For him , killing is the ultimate existential experience , " a pene- tration and break - through into the surrounding world . . . " ( 339 ) . But he adds : The above argument should in no way glorify killing or even induce killing .
For him , killing is the ultimate existential experience , " a pene- tration and break - through into the surrounding world . . . " ( 339 ) . But he adds : The above argument should in no way glorify killing or even induce killing .
Seite 151
The theatrical experiments of the seventies , those of Robert Wilson , and of Jean - Pierre Ronfard in Quebec , have already shown us that the duration is an intimate part of the aesthetic experience , but how far can we disregard this ...
The theatrical experiments of the seventies , those of Robert Wilson , and of Jean - Pierre Ronfard in Quebec , have already shown us that the duration is an intimate part of the aesthetic experience , but how far can we disregard this ...
Seite 6
I The unsaid assumption underlying all descriptions is experience beyond lived experience , the experience of the other and of the fiction . In description we articulate the time and space that are absent from the context at hand ...
I The unsaid assumption underlying all descriptions is experience beyond lived experience , the experience of the other and of the fiction . In description we articulate the time and space that are absent from the context at hand ...
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