Discourse, Band 14Indiana University Press, 1992 |
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Ergebnisse 1-3 von 77
Seite 117
... experience of kill- ing and brings the feeling of lasting mystical unity with the whole . It is intended that the entire course of life should be concentrated into a mystical experience . The intoxicating intensity of Spring 1992 117.
... experience of kill- ing and brings the feeling of lasting mystical unity with the whole . It is intended that the entire course of life should be concentrated into a mystical experience . The intoxicating intensity of Spring 1992 117.
Seite 151
... experience , but how far can we disregard this relation- ship to time and space ? The problem here is not so much the nature of the act itself but the fact that such an artistic experience excludes the possibility of having an audience ...
... experience , but how far can we disregard this relation- ship to time and space ? The problem here is not so much the nature of the act itself but the fact that such an artistic experience excludes the possibility of having an audience ...
Seite 6
... experience beyond lived experience , the experience of the other and of the fiction . In description we articulate the time and space that are absent from the context at hand , the lived experience of the body . Our interest in ...
... experience beyond lived experience , the experience of the other and of the fiction . In description we articulate the time and space that are absent from the context at hand , the lived experience of the body . Our interest in ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York