Discourse, Band 14Indiana University Press, 1992 |
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Seite 76
No artist has sustained a focus solely on destruction with the exception of Metzger and Ortiz — and even they have altered the terms of their theoretical discourse over time . For destruc- tion art is exhausting . It requires not only ...
No artist has sustained a focus solely on destruction with the exception of Metzger and Ortiz — and even they have altered the terms of their theoretical discourse over time . For destruc- tion art is exhausting . It requires not only ...
Seite 77
general absence of discussion about destruction in society in order to marshal human conscience into collective awareness and resistance . In this sense the overriding values of the artists associated with destruction art are ethical ...
general absence of discussion about destruction in society in order to marshal human conscience into collective awareness and resistance . In this sense the overriding values of the artists associated with destruction art are ethical ...
Seite 79
The terms of destruction art originate from a real Jew , a real survivor of destruction : Gustav Metzger . In five manifestos writ- ten between November 1959 and July 1964 , Metzger laid out the basis for " Auto - Destructive Art ...
The terms of destruction art originate from a real Jew , a real survivor of destruction : Gustav Metzger . In five manifestos writ- ten between November 1959 and July 1964 , Metzger laid out the basis for " Auto - Destructive Art ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York