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general absence of discussion about destruction in society in order to marshal human conscience into collective awareness and resistance . In this sense the overriding values of the artists associated with destruction art are ethical .
general absence of discussion about destruction in society in order to marshal human conscience into collective awareness and resistance . In this sense the overriding values of the artists associated with destruction art are ethical .
Seite 79
The terms of destruction art originate from a real Jew , a real survivor of destruction : Gustav Metzger . In five manifestos writ- ten between November 1959 and July 1964 , Metzger laid out the basis for " Auto - Destructive Art ...
The terms of destruction art originate from a real Jew , a real survivor of destruction : Gustav Metzger . In five manifestos writ- ten between November 1959 and July 1964 , Metzger laid out the basis for " Auto - Destructive Art ...
Seite 87
Four years later , he began Destruction Realizations , actions that included ritual sacrifices of chickens , the destruction of musical instruments , and other ceremonial practices . 66 While Wolf Vostell never used the term ...
Four years later , he began Destruction Realizations , actions that included ritual sacrifices of chickens , the destruction of musical instruments , and other ceremonial practices . 66 While Wolf Vostell never used the term ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York