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Seite 29
The central possibility is the “ construction of a situation that is not limited to the homogeneous use of the artistic means ... the material foundation of which will be the new reality that is formed by situationist constructions .
The central possibility is the “ construction of a situation that is not limited to the homogeneous use of the artistic means ... the material foundation of which will be the new reality that is formed by situationist constructions .
Seite 33
In this essay I tried to show how the equation “ material = body = nature " had been replaced by the equation “ body = social construction = transfigured nature . ” The representation of woman's body , as imprinted by ...
In this essay I tried to show how the equation “ material = body = nature " had been replaced by the equation “ body = social construction = transfigured nature . ” The representation of woman's body , as imprinted by ...
Seite 97
I turn now to the theoretical introduction of Nancy Armstrong's Desire and Domestic Fiction , an account of the cultural construction of " woman " that reveals a certain “ collaboration between gender and class ” at the cost of ...
I turn now to the theoretical introduction of Nancy Armstrong's Desire and Domestic Fiction , an account of the cultural construction of " woman " that reveals a certain “ collaboration between gender and class ” at the cost of ...
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York