Discourse, Band 14Indiana University Press, 1992 |
Im Buch
Ergebnisse 1-3 von 52
Seite 28
... concept of action to art during the 1950s , thus giving rise to the demand that the difference between art and life be transcended . Developments in the subsequent decades concentrated increasingly on freeing the concept of action from ...
... concept of action to art during the 1950s , thus giving rise to the demand that the difference between art and life be transcended . Developments in the subsequent decades concentrated increasingly on freeing the concept of action from ...
Seite 31
... concepts , just as the material of music , for example , is sound . Since concepts are closely bound up with language , concept art is a kind of art for which the material is language . " Material and Media - The Language of Performance ...
... concepts , just as the material of music , for example , is sound . Since concepts are closely bound up with language , concept art is a kind of art for which the material is language . " Material and Media - The Language of Performance ...
Seite 61
... concept of painting in that they linked the dissolution and overcoming of the canvas with the motto of " direct reality " ( and the works of tactilism [ Tachismus ] and of George Mathieus and Arnulf Rainer ) . The attacks were aimed at ...
... concept of painting in that they linked the dissolution and overcoming of the canvas with the motto of " direct reality " ( and the works of tactilism [ Tachismus ] and of George Mathieus and Arnulf Rainer ) . The attacks were aimed at ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York