Discourse, Band 14Indiana University Press, 1992 |
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Seite 38
... audience , they were to be written into the work as well . At first , as in 18 Happen- ings , this merely consisted of varying the circumstances of the audience's reception , breaking them up into groups and assign- ing them particular ...
... audience , they were to be written into the work as well . At first , as in 18 Happen- ings , this merely consisted of varying the circumstances of the audience's reception , breaking them up into groups and assign- ing them particular ...
Seite 41
... audience was left in the lurch regarding possible interpretation . In happenings that promoted a festival atmosphere , the audience member felt left out if he / she didn't become part of the whole . In cases where audience recalcitrance ...
... audience was left in the lurch regarding possible interpretation . In happenings that promoted a festival atmosphere , the audience member felt left out if he / she didn't become part of the whole . In cases where audience recalcitrance ...
Seite 206
... audience members were invited to come forward , take scissors , and cut off a piece of Ono's clothing as she sat placidly on the stage floor facing them . In contrast to Rauschenberg and to the later artists working in interactivity ...
... audience members were invited to come forward , take scissors , and cut off a piece of Ono's clothing as she sat placidly on the stage floor facing them . In contrast to Rauschenberg and to the later artists working in interactivity ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York