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Seite 85
The diverse collection of artists and poets who participated either directly or indirectly in DIAS were unified in their response to the theme of destruction in art . Yet they never com- prised a movement nor as a group produced a ...
The diverse collection of artists and poets who participated either directly or indirectly in DIAS were unified in their response to the theme of destruction in art . Yet they never com- prised a movement nor as a group produced a ...
Seite 94
describes Barnett Newman's aesthetic position in terms that reveal not only the antipathy that artists of the New York School had for direct experience and for confrontation with the horror and fear of their own historical period ...
describes Barnett Newman's aesthetic position in terms that reveal not only the antipathy that artists of the New York School had for direct experience and for confrontation with the horror and fear of their own historical period ...
Seite 144
The artists , who came from very different perspectives ( plastic arts , music , architecture ) , at first enthusiastically embraced this new art form that was offering them a new expressive medium . Then , over the years , conditions ...
The artists , who came from very different perspectives ( plastic arts , music , architecture ) , at first enthusiastically embraced this new art form that was offering them a new expressive medium . Then , over the years , conditions ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York