Discourse, Band 14Indiana University Press, 1992 |
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Seite 40
... artists pause . While preserving the expres- sionist gesture , the younger artists wanted a form that would not be fair game for capitalist appropriation . - The most important strategy was a shift from product or process - in - product ...
... artists pause . While preserving the expres- sionist gesture , the younger artists wanted a form that would not be fair game for capitalist appropriation . - The most important strategy was a shift from product or process - in - product ...
Seite 94
... artists were able to break through the dissociative behavior of both artists and critics , to release the numbing I described in the beginning of this paper that characterizes the emotions of the survivor , and , yes , to " wallow in ...
... artists were able to break through the dissociative behavior of both artists and critics , to release the numbing I described in the beginning of this paper that characterizes the emotions of the survivor , and , yes , to " wallow in ...
Seite 144
... artist as for the spectator ) , performance art reached its peak in the 1970s . The artists , who came from very different perspectives ( plastic arts , music , architecture ) , at first enthusiastically embraced this new art form that ...
... artist as for the spectator ) , performance art reached its peak in the 1970s . The artists , who came from very different perspectives ( plastic arts , music , architecture ) , at first enthusiastically embraced this new art form that ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York