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Seite 106
Thus in melodrama , maternity is positioned in opposition to the Symbolic register and subjectivity , privileging the excessively visible affect ( it is not surprising that the popular names for melodrama are the " weepie ” or “ three ...
Thus in melodrama , maternity is positioned in opposition to the Symbolic register and subjectivity , privileging the excessively visible affect ( it is not surprising that the popular names for melodrama are the " weepie ” or “ three ...
Seite 132
But then , it speaks about the affect in the third person . An affect is like death and like birth : if it is thought , articulated , recounted , it is that of the other , of others . 10. In Freud , it is not the opposition between ...
But then , it speaks about the affect in the third person . An affect is like death and like birth : if it is thought , articulated , recounted , it is that of the other , of others . 10. In Freud , it is not the opposition between ...
Seite 18
New Right's project in the United States works most powerfully through a war of affect waged in and as popular culture , rather than by ( as in Britain ) the State . This war aims to reconstruct an American national - popular by ...
New Right's project in the United States works most powerfully through a war of affect waged in and as popular culture , rather than by ( as in Britain ) the State . This war aims to reconstruct an American national - popular by ...
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York