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Seite 26
The Act of Painting and Action Art The debts of performance to both the material images and cast - off ( Merz ) action - events of Kurt Schwitters , in the 1920s , and the action painting of Jackson Pollock , who transformed the blank ...
The Act of Painting and Action Art The debts of performance to both the material images and cast - off ( Merz ) action - events of Kurt Schwitters , in the 1920s , and the action painting of Jackson Pollock , who transformed the blank ...
Seite 28
in accentuation to the body , to reality and action . If painting was " an event on the canvas , " as Rosenberg had written , it was also possible to imagine not just events on the canvas , but also those that took place in front of the ...
in accentuation to the body , to reality and action . If painting was " an event on the canvas , " as Rosenberg had written , it was also possible to imagine not just events on the canvas , but also those that took place in front of the ...
Seite 181
Cinema 1 ends with the important chapter on " The Crisis of the Action - Image , " which stands like a hinge between the two volumes , and focuses particularly on the work of Alfred Hitchcock . Hitchcock's innovations bring the series ...
Cinema 1 ends with the important chapter on " The Crisis of the Action - Image , " which stands like a hinge between the two volumes , and focuses particularly on the work of Alfred Hitchcock . Hitchcock's innovations bring the series ...
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