Discourse, Band 14Indiana University Press, 1992 |
Im Buch
Ergebnisse 1-3 von 8
Seite 136
... Ying Chan as the object of the male gaze are them- selves highly self - reflexive . They perform a narrative mimicry of the internal dynamic of the gaze in order continually to remove Ying Chan from the locus of perception even during ...
... Ying Chan as the object of the male gaze are them- selves highly self - reflexive . They perform a narrative mimicry of the internal dynamic of the gaze in order continually to remove Ying Chan from the locus of perception even during ...
Seite 137
... Ying Chan , for Honda , would mean to do exactly the opposite of the voyeur , namely , " to keep Ying Chan as far away as possible from the talons of his perception ” ( 296 ) . Love , as Honda knows , depends on the unknown , the secret ...
... Ying Chan , for Honda , would mean to do exactly the opposite of the voyeur , namely , " to keep Ying Chan as far away as possible from the talons of his perception ” ( 296 ) . Love , as Honda knows , depends on the unknown , the secret ...
Seite 143
... Ying Chan's subjectivity " restored " in a matter of seconds . This transformation , however , still removes her as a subject in a dif- ferent way , precisely because the restoration of subjectivity is bound to its fusion with another ...
... Ying Chan's subjectivity " restored " in a matter of seconds . This transformation , however , still removes her as a subject in a dif- ferent way , precisely because the restoration of subjectivity is bound to its fusion with another ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York