Discourse, Band 14Indiana University Press, 1992 |
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Ergebnisse 1-3 von 10
Seite 132
... Honda's actions which also reveal them as deeply gendered oppositions . Toward the end of the novel , Honda , about whom the nar- rator remarks that " he had once been the personification of cerebration " ( 25 ) , concludes his ...
... Honda's actions which also reveal them as deeply gendered oppositions . Toward the end of the novel , Honda , about whom the nar- rator remarks that " he had once been the personification of cerebration " ( 25 ) , concludes his ...
Seite 138
... Honda , the death brought about by the gaze no longer remains a mere metaphor for the obliteration of subjec- tivity . Honda literally fantasizes the scene of his own suicide , his " exit from a world contaminated by perception " ( 297 ) ...
... Honda , the death brought about by the gaze no longer remains a mere metaphor for the obliteration of subjec- tivity . Honda literally fantasizes the scene of his own suicide , his " exit from a world contaminated by perception " ( 297 ) ...
Seite 143
... Honda had tacitly desired all his life and is thus trans- formed into a complex figure of overdetermined homoerotic desire . She now incorporates Honda's desire for Matsugae , the sensitive melancholy youth who “ was praised for his ...
... Honda had tacitly desired all his life and is thus trans- formed into a complex figure of overdetermined homoerotic desire . She now incorporates Honda's desire for Matsugae , the sensitive melancholy youth who “ was praised for his ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York