Discourse, Band 14Indiana University Press, 1992 |
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Seite 174
... Deleuze , trans . Hugh Tomlinson and Robert Gelata Minneapolis : U of Minnesota P , 1989. 344 pp . Ackbar Abbas The central thesis of Deleuze's Cinema 1 and Cinema 2 is deceptively simple : for Deleuze , cinema is a specific practice ...
... Deleuze , trans . Hugh Tomlinson and Robert Gelata Minneapolis : U of Minnesota P , 1989. 344 pp . Ackbar Abbas The central thesis of Deleuze's Cinema 1 and Cinema 2 is deceptively simple : for Deleuze , cinema is a specific practice ...
Seite 175
... Deleuze's manner of placing the cinematic image at the center of analysis is much more radical then it appears at first sight . Not only does it involve Deleuze in an implicit questioning of some of the more influential theories of ...
... Deleuze's manner of placing the cinematic image at the center of analysis is much more radical then it appears at first sight . Not only does it involve Deleuze in an implicit questioning of some of the more influential theories of ...
Seite 183
... Deleuze reads neo - realism very differ- ently . Drawing on the ideas and practices of the nouveau roman , specifically on what he calls Robbe - Grillet's great theory of descrip- tion , Deleuze argues that the neo - realist mania for ...
... Deleuze reads neo - realism very differ- ently . Drawing on the ideas and practices of the nouveau roman , specifically on what he calls Robbe - Grillet's great theory of descrip- tion , Deleuze argues that the neo - realist mania for ...
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