Discourse, Band 14Indiana University Press, 1992 |
Im Buch
Ergebnisse 1-3 von 9
Seite 79
The terms of destruction art originate from a real Jew , a real survivor of destruction : Gustav Metzger . In five manifestos writ- ten between November 1959 and July 1964 , Metzger laid out the basis for " Auto - Destructive Art ...
The terms of destruction art originate from a real Jew , a real survivor of destruction : Gustav Metzger . In five manifestos writ- ten between November 1959 and July 1964 , Metzger laid out the basis for " Auto - Destructive Art ...
Seite 80
" Auto - Destructive Art " condenses a vast experiential and technological territory of destruction ( and its concomitant sur- vivalist ethos ) into a manageable representation . The temporal duration of " Auto - Destructive Art ...
" Auto - Destructive Art " condenses a vast experiential and technological territory of destruction ( and its concomitant sur- vivalist ethos ) into a manageable representation . The temporal duration of " Auto - Destructive Art ...
Seite 97
... Auto - Destructive Art , " 4 Nov. 1959 ; " Manifesto Auto - Destructive Art , " 10 Mar. 1960 ; " Auto- Destructive Art Machine Art Auto - Creative Art , " 23 June 1961 ; " MANIFESTO WORLD , " 7 Oct. 1962 ; and " On random activity in ...
... Auto - Destructive Art , " 4 Nov. 1959 ; " Manifesto Auto - Destructive Art , " 10 Mar. 1960 ; " Auto- Destructive Art Machine Art Auto - Creative Art , " 23 June 1961 ; " MANIFESTO WORLD , " 7 Oct. 1962 ; and " On random activity in ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York