Illinois Studies in Language and LiteratureUniversity of Illinois under the auspices of the Graduate School, 1937 - 283 Seiten |
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Seite 114
... Retiro Theater , although he did not direct the orchestra . It was usual in those days for the clavichordist to lead the orchestra , fill in gaps in the harmonies , improvise if necessary , prompt , and in general hold the orchestra and ...
... Retiro Theater , although he did not direct the orchestra . It was usual in those days for the clavichordist to lead the orchestra , fill in gaps in the harmonies , improvise if necessary , prompt , and in general hold the orchestra and ...
Seite 115
... Retiro was entirely inadequate for opera in the grand style visualized by Farinelli for his Queen . Very good - naturedly the Ayuntamiento ( city government ) agreed to rebuild the theater during the summer months of 1738 , while the ...
... Retiro was entirely inadequate for opera in the grand style visualized by Farinelli for his Queen . Very good - naturedly the Ayuntamiento ( city government ) agreed to rebuild the theater during the summer months of 1738 , while the ...
Seite 131
... Retiro , comparing favorably in quality and size with orchestras in the municipal theaters of Madrid where Italian opera was given later in the century . To Farinelli's orchestra , Spanish musicians were frequently admitted . Besides ...
... Retiro , comparing favorably in quality and size with orchestras in the municipal theaters of Madrid where Italian opera was given later in the century . To Farinelli's orchestra , Spanish musicians were frequently admitted . Besides ...
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accompaniment Alba Amor Antonio arias autos autos sacramentales ballet Barcelona bass Beckford Blas de Laserna Boccherini bolero Buen Retiro called Caños del Peral Cathedral chant chapelmaster characters choruses church music clavecin compositions Cotarelo y Mori Cruz dance doblones de oro Duke Durón eighteenth century emotions English entertainment entremeses Españoles Esteve fandango Farinelli feeling Feijóo fiestas figured bass Francisco Garcia Gaspar Sanz Gozos guitar gypsy hero heroines Ibid Italian opera Italy jácaras Joaquin Nin José Juan King libretto Luis Misón Madrid Manuel María melody Metastasio Mitjana motets música musicians Naples nature Nebra novelists novels ópera opera company oratorios orchestra organist Palace Pedrell played popular Prévost Queen Radcliffe Ramón Romance Royal Chapel sacred sainetes Saint sang scene seguidilla sensibility sentimental singers singing Soler solo sonatas Spain Spanish composers Spanish music story style sung terror theater Tirana tonada tonadilla Valencia villancicos violins voice Walpole written wrote zarzuela