The American Dream and the Popular NovelRoutledge & K. Paul, 1985 - 243 Seiten |
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Seite 78
... rich and poor were not present in America in the 1950s , but also reinforced that restricted vision of society . A range of social phenomena – the residential segregation fostered by suburban growth , industrial zoning , - high school ...
... rich and poor were not present in America in the 1950s , but also reinforced that restricted vision of society . A range of social phenomena – the residential segregation fostered by suburban growth , industrial zoning , - high school ...
Seite 97
... rich from his death . I knew what I had done , and Danny knew it too . . . . Maybe it's only the first time that's miserable . It has to be faced . In business and politics a man must carve and maul his way through men to get to be King ...
... rich from his death . I knew what I had done , and Danny knew it too . . . . Maybe it's only the first time that's miserable . It has to be faced . In business and politics a man must carve and maul his way through men to get to be King ...
Seite 99
... rich . For instance , Jonas Cord , the hero of Harold Robbins's The Carpetbaggers ( 1961 ) inherits a fortune from his father's explosives factory . But even the heroes who must make their way in the world from a position of early ...
... rich . For instance , Jonas Cord , the hero of Harold Robbins's The Carpetbaggers ( 1961 ) inherits a fortune from his father's explosives factory . But even the heroes who must make their way in the world from a position of early ...
Inhalt
the social context | 17 |
from entrepreneurial | 63 |
the varieties | 91 |
Urheberrecht | |
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achievement affluence American analysis appear assumptions attended audience authors become Bell bestselling novels born called central character City complex conventions corporate cultural describe developments discussion entrepreneurial especially ethos evidence examining example express fact feel felt fiction give hand hardcover heroes historical ideal important independent individual industry institutional interpretation kind Lasch less limited lists literary literature lives look mass meaning Mills moral novelists numbers organizations past percent perhaps period popular possibility present Press problems production progress publishing question readers reading reality reflect relationship relatively represents response rewards Riesman seems Sennett sense sexual shift similar social critics society stories structure success texts thought tion traditional turn understand University values Whyte women writing York young
Verweise auf dieses Buch
Prime-Time Families: Television Culture in Post-War America Ella Taylor Eingeschränkte Leseprobe - 1989 |