The American Dream and the Popular NovelRoutledge & K. Paul, 1985 - 243 Seiten |
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Seite 39
... born between 1875 and 1900 were men ; of those born between 1901 and 1920 , 69 percent were men . But 88 percent of the authors in the 1921-50 cohort were men , and the three authors of bestselling novels born after 1941 were all men ...
... born between 1875 and 1900 were men ; of those born between 1901 and 1920 , 69 percent were men . But 88 percent of the authors in the 1921-50 cohort were men , and the three authors of bestselling novels born after 1941 were all men ...
Seite 40
... born during this period came from New York City , and if one counts towns or cities in the suburbs of New York , the city's privileged position is even more marked . Though the numbers of authors on the bestseller lists , even if one ...
... born during this period came from New York City , and if one counts towns or cities in the suburbs of New York , the city's privileged position is even more marked . Though the numbers of authors on the bestseller lists , even if one ...
Seite 41
... born between 1875 and 1900. From that period , however , comes the trace of one educational pattern that has the charm of a bygone era : four of the women authors were tutored at home ; three then went on to private schools . Patterns ...
... born between 1875 and 1900. From that period , however , comes the trace of one educational pattern that has the charm of a bygone era : four of the women authors were tutored at home ; three then went on to private schools . Patterns ...
Inhalt
the social context | 17 |
from entrepreneurial | 63 |
the varieties | 91 |
Urheberrecht | |
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achievement affluence American analysis appear assumptions attended audience authors become Bell bestselling novels born called central character City complex conventions corporate cultural describe developments discussion entrepreneurial especially ethos evidence examining example express fact feel felt fiction give hand hardcover heroes historical ideal important independent individual industry institutional interpretation kind Lasch less limited lists literary literature lives look mass meaning Mills moral novelists numbers organizations past percent perhaps period popular possibility present Press problems production progress publishing question readers reading reality reflect relationship relatively represents response rewards Riesman seems Sennett sense sexual shift similar social critics society stories structure success texts thought tion traditional turn understand University values Whyte women writing York young
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