Understanding PoetryHeinemann, 1965 - 186 Seiten |
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Seite 120
... words in rhythm . This is important because writers sometimes speak of rhythm as if it were some- thing applied as it were externally to a poetic thought . The words come to the poet in their proper rhythmic form : rhythm and word and ...
... words in rhythm . This is important because writers sometimes speak of rhythm as if it were some- thing applied as it were externally to a poetic thought . The words come to the poet in their proper rhythmic form : rhythm and word and ...
Seite 158
... words derived from Latin ( the Romance tongue ) , and conveys an impression of pompous and self - conscious grandeur ; ' He died poor ' consists entirely of words of Teutonic origin , and , although much more homely , has a quiet ...
... words derived from Latin ( the Romance tongue ) , and conveys an impression of pompous and self - conscious grandeur ; ' He died poor ' consists entirely of words of Teutonic origin , and , although much more homely , has a quiet ...
Seite 159
... words which express the in- tellectual , rational part of the thought . ' Mortality ' , ' power ' and ' action ' carry most of the intellectual content of the lines ; but the thought is saved from mere abstraction by the concrete ...
... words which express the in- tellectual , rational part of the thought . ' Mortality ' , ' power ' and ' action ' carry most of the intellectual content of the lines ; but the thought is saved from mere abstraction by the concrete ...
Inhalt
Poetry and You | 1 |
The Tree of Man | 5 |
Poetry and its Substitutes | 13 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieve alliterative verse anapaestic anonymous appear ballad beauty birds blank verse Brave Benbow called century CHAPTER child Christ receive thy Coleridge composed dead death Discobolus effect Elegy element Elizabethan Emily Dickinson emotional English poetry epic express eyes feeling flower free verse heart heroic couplet Housman human iamb iambic pentameter idea imagination inspiration intellectual Keats kind Kubla Khan language lines literary live look lyric poetry magical means memory metre Milton mind modern mood narrative nature never night once origin passion perhaps poem poet poet's poetic popular primitive prose qualities reader receive thy soul rhyme rhythm rhythmical Roman sense Shakespeare simply sing Sir Patrick Spens song sonnet sound speak speech stanza sweet syllable technique tell thee thing thou thought traditional trochee true variety Wenlock Edge Whitman words write written wrote