Understanding PoetryHeinemann, 1965 - 186 Seiten |
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Ergebnisse 1-3 von 6
Seite 124
... syllables almost disappear . For instance , the middle syllable of that word ' disappear ' ( represented by ' ap ' ) is hardly pronounced at all , because ' dis- ' and ' -pear ' take almost all the stress . Compare the pronunciation of ...
... syllables almost disappear . For instance , the middle syllable of that word ' disappear ' ( represented by ' ap ' ) is hardly pronounced at all , because ' dis- ' and ' -pear ' take almost all the stress . Compare the pronunciation of ...
Seite 130
... syllable , of each foot . We have moved away from the iamb and come to consider the trochee : that is , the metrical foot which consists of two syllables , the first strong and the second weak 130 UNDERSTANDING POETRY.
... syllable , of each foot . We have moved away from the iamb and come to consider the trochee : that is , the metrical foot which consists of two syllables , the first strong and the second weak 130 UNDERSTANDING POETRY.
Seite 134
... syllable precedes the unstressed : Higher still and higher From the earth thou springest . This metrical freedom reflects the freedom enjoyed by the skylark . Finally , here is the first stanza of Hardy's Weathers : This is the weather ...
... syllable precedes the unstressed : Higher still and higher From the earth thou springest . This metrical freedom reflects the freedom enjoyed by the skylark . Finally , here is the first stanza of Hardy's Weathers : This is the weather ...
Inhalt
Poetry and You | 1 |
The Tree of Man | 5 |
Poetry and its Substitutes | 13 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieve alliterative verse anapaestic anonymous appear ballad beauty birds blank verse Brave Benbow called century CHAPTER child Christ receive thy Coleridge composed dead death Discobolus effect Elegy element Elizabethan Emily Dickinson emotional English poetry epic express eyes feeling flower free verse heart heroic couplet Housman human iamb iambic pentameter idea imagination inspiration intellectual Keats kind Kubla Khan language lines literary live look lyric poetry magical means memory metre Milton mind modern mood narrative nature never night once origin passion perhaps poem poet poet's poetic popular primitive prose qualities reader receive thy soul rhyme rhythm rhythmical Roman sense Shakespeare simply sing Sir Patrick Spens song sonnet sound speak speech stanza sweet syllable technique tell thee thing thou thought traditional trochee true variety Wenlock Edge Whitman words write written wrote