Understanding PoetryHeinemann, 1965 - 186 Seiten |
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Seite 80
... sonnet as if it were alto- gether a thing apart , nevertheless it has to be looked upon as a specialized , the most highly specialized , form of the lyric . For a detailed and technical account of the sonnet you must go to a textbook of ...
... sonnet as if it were alto- gether a thing apart , nevertheless it has to be looked upon as a specialized , the most highly specialized , form of the lyric . For a detailed and technical account of the sonnet you must go to a textbook of ...
Seite 81
... sonnet is one of the earliest forms in which true lyric feel- ing is the chief constituent . For the sonnet is , above all , a vehicle for personal emotion . Most Elizabethan sonnets are , indeed , con- cerned exclusively with love . No ...
... sonnet is one of the earliest forms in which true lyric feel- ing is the chief constituent . For the sonnet is , above all , a vehicle for personal emotion . Most Elizabethan sonnets are , indeed , con- cerned exclusively with love . No ...
Seite 103
... sonnet , as well as various lyrical forms , both regular and free , and I have said some- thing about minor forms such as parody and imitation . All have their place in the resources available to poets . I have said little about length ...
... sonnet , as well as various lyrical forms , both regular and free , and I have said some- thing about minor forms such as parody and imitation . All have their place in the resources available to poets . I have said little about length ...
Inhalt
Poetry and You | 1 |
The Tree of Man | 5 |
Poetry and its Substitutes | 13 |
Urheberrecht | |
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A. E. Housman achieve alliterative verse anapaestic anonymous appear ballad beauty birds blank verse Brave Benbow called century CHAPTER child Christ receive thy Coleridge composed dead death Discobolus effect Elegy element Elizabethan Emily Dickinson emotional English poetry epic express eyes feeling flower free verse heart heroic couplet Housman human iamb iambic pentameter idea imagination inspiration intellectual Keats kind Kubla Khan language lines literary live look lyric poetry magical means memory metre Milton mind modern mood narrative nature never night once origin passion perhaps poem poet poet's poetic popular primitive prose qualities reader receive thy soul rhyme rhythm rhythmical Roman sense Shakespeare simply sing Sir Patrick Spens song sonnet sound speak speech stanza sweet syllable technique tell thee thing thou thought traditional trochee true variety Wenlock Edge Whitman words write written wrote