Understanding PoetryHeinemann, 1965 - 186 Seiten |
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Seite 1
... seems that at least seventy per cent of the adult population have little or no use for poetry . Another twenty per cent can do without it . Only one in ten regards it as of real value . Of course my sample was too small for the enquiry ...
... seems that at least seventy per cent of the adult population have little or no use for poetry . Another twenty per cent can do without it . Only one in ten regards it as of real value . Of course my sample was too small for the enquiry ...
Seite 43
... seems to be aware of a kind of mental , almost physical excitement , which makes his work comparatively easy ; the poem ' comes right ' without much difficulty . Such a power often seems to come from outside , not from within himself . It ...
... seems to be aware of a kind of mental , almost physical excitement , which makes his work comparatively easy ; the poem ' comes right ' without much difficulty . Such a power often seems to come from outside , not from within himself . It ...
Seite 96
... seem strange . Andrew Marvell was a seventeenth - century poet , and he uses the style and language of two hundred years ago . No one would dream of writing a love poem like this nowadays . It seems exceedingly artificial ; yet who ...
... seem strange . Andrew Marvell was a seventeenth - century poet , and he uses the style and language of two hundred years ago . No one would dream of writing a love poem like this nowadays . It seems exceedingly artificial ; yet who ...
Inhalt
Poetry and You | 1 |
The Tree of Man | 5 |
Poetry and its Substitutes | 13 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieve alliterative verse anapaestic anonymous appear ballad beauty birds blank verse Brave Benbow called century CHAPTER child Christ receive thy Coleridge composed dead death Discobolus effect Elegy element Elizabethan Emily Dickinson emotional English poetry epic express eyes feeling flower free verse heart heroic couplet Housman human iamb iambic pentameter idea imagination inspiration intellectual Keats kind Kubla Khan language lines literary live look lyric poetry magical means memory metre Milton mind modern mood narrative nature never night once origin passion perhaps poem poet poet's poetic popular primitive prose qualities reader receive thy soul rhyme rhythm rhythmical Roman sense Shakespeare simply sing Sir Patrick Spens song sonnet sound speak speech stanza sweet syllable technique tell thee thing thou thought traditional trochee true variety Wenlock Edge Whitman words write written wrote