Understanding PoetryHeinemann, 1965 - 186 Seiten |
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Seite 32
... experience . The reader's experience has been permanently enlarged . Of course this is not the whole truth about poetry , or anything like it . But people so often write about poems as if they were just interesting thoughts dressed up ...
... experience . The reader's experience has been permanently enlarged . Of course this is not the whole truth about poetry , or anything like it . But people so often write about poems as if they were just interesting thoughts dressed up ...
Seite 42
... experience of sensations as language , rather than as purely physical phenomena . This interest may develop into an obsession , so that to have any experience not reducible to words becomes a source of dissatisfaction , even of pain ...
... experience of sensations as language , rather than as purely physical phenomena . This interest may develop into an obsession , so that to have any experience not reducible to words becomes a source of dissatisfaction , even of pain ...
Seite 174
... experienced exactly your problem ; but his experience will have had enough in common with yours for you to feel supported and reassured by what he has written . If poetry now seems too specialized for the ordinary reader , this is the ...
... experienced exactly your problem ; but his experience will have had enough in common with yours for you to feel supported and reassured by what he has written . If poetry now seems too specialized for the ordinary reader , this is the ...
Inhalt
Poetry and You | 1 |
The Tree of Man | 5 |
Poetry and its Substitutes | 13 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieve alliterative verse anapaestic anonymous appear ballad beauty birds blank verse Brave Benbow called century CHAPTER child Christ receive thy Coleridge composed dead death Discobolus effect Elegy element Elizabethan Emily Dickinson emotional English poetry epic express eyes feeling flower free verse heart heroic couplet Housman human iamb iambic pentameter idea imagination inspiration intellectual Keats kind Kubla Khan language lines literary live look lyric poetry magical means memory metre Milton mind modern mood narrative nature never night once origin passion perhaps poem poet poet's poetic popular primitive prose qualities reader receive thy soul rhyme rhythm rhythmical Roman sense Shakespeare simply sing Sir Patrick Spens song sonnet sound speak speech stanza sweet syllable technique tell thee thing thou thought traditional trochee true variety Wenlock Edge Whitman words write written wrote