Understanding PoetryHeinemann, 1965 - 186 Seiten |
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Seite 139
... blank verse , it must be owned , was often a little stiff . It was splendid for his purpose , but it lacked the flexibility required for full variety of mood and character . It was Shakespeare's task to make it the ... BLANK VERSE 139.
... blank verse , it must be owned , was often a little stiff . It was splendid for his purpose , but it lacked the flexibility required for full variety of mood and character . It was Shakespeare's task to make it the ... BLANK VERSE 139.
Seite 141
... blank verse requires but little skill . Its smooth iambic movement is not hard to imitate . A child can count five feet ; there are no tiresome rhymes to tax your skill . You can churn out blank verse eternally , with very little effort ...
... blank verse requires but little skill . Its smooth iambic movement is not hard to imitate . A child can count five feet ; there are no tiresome rhymes to tax your skill . You can churn out blank verse eternally , with very little effort ...
Seite 145
... blank verse back to the stage , where it had almost begun . Whether it will be revived on any large scale depends , like so many other things in poetry , on the personal practice of individual poets ... poem BLANK VERSE 145.
... blank verse back to the stage , where it had almost begun . Whether it will be revived on any large scale depends , like so many other things in poetry , on the personal practice of individual poets ... poem BLANK VERSE 145.
Inhalt
Poetry and You | 1 |
The Tree of Man | 5 |
Poetry and its Substitutes | 13 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieve alliterative verse anapaestic anonymous appear ballad beauty birds blank verse Brave Benbow called century CHAPTER child Christ receive thy Coleridge composed dead death Discobolus effect Elegy element Elizabethan Emily Dickinson emotional English poetry epic express eyes feeling flower free verse heart heroic couplet Housman human iamb iambic pentameter idea imagination inspiration intellectual Keats kind Kubla Khan language lines literary live look lyric poetry magical means memory metre Milton mind modern mood narrative nature never night once origin passion perhaps poem poet poet's poetic popular primitive prose qualities reader receive thy soul rhyme rhythm rhythmical Roman sense Shakespeare simply sing Sir Patrick Spens song sonnet sound speak speech stanza sweet syllable technique tell thee thing thou thought traditional trochee true variety Wenlock Edge Whitman words write written wrote