Im Buch
Ergebnisse 1-3 von 13
Seite 10
The corpse thus plays a very different kind of witness as a text , one that is heavily weighted as bearer of documentary truth ... moments of pleasurable spectatorship that play to heightened emotions — excitement , fear , horror , etc.
The corpse thus plays a very different kind of witness as a text , one that is heavily weighted as bearer of documentary truth ... moments of pleasurable spectatorship that play to heightened emotions — excitement , fear , horror , etc.
Seite 91
Neal Baer , executive producer of Law and Order : Special Victims ' Unit , says of that drama : “ SVU asks the major questions — troubling , difficult , intractable issues of our time , and lets characters play them out , not just as ...
Neal Baer , executive producer of Law and Order : Special Victims ' Unit , says of that drama : “ SVU asks the major questions — troubling , difficult , intractable issues of our time , and lets characters play them out , not just as ...
Seite 94
The Practice focuses on criminal defense attorneys who are deeply conflicted about being criminal defense attorneys - deeply conflicted , in other words , about the parts they play . We the public are supposed to sense that what holds ...
The Practice focuses on criminal defense attorneys who are deeply conflicted about being criminal defense attorneys - deeply conflicted , in other words , about the parts they play . We the public are supposed to sense that what holds ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
The Future of Testimony | 4 |
Testimony Quantification and Need | 19 |
A Genealogical Perspective | 36 |
13 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
affect African agency American archive argues articulated attempt become beginning believe body bombing Bridge characters child claims comes continue course crime critical cultural death Derrida describes desire discourse discussion essay ethical event experience face fact father feel fiction Fragments Freud future give hand happened Holocaust human Hurston identity individual John knowledge Kossula language limit literature live marks means memory Michigan mourning murder narrative never object origin pain past person political position possible practices precisely present question readers reading referent relation remains represent representation response seems sense sexual social speak story studies suffering suggest television tell testify testimony things thought tion trauma true crime truth turn understand University victims violence voice witness women writing York