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Seite 109
Con- versely , melancholia sets in when the dead object's non - equiva- lence or non - representation materializes . The dead object takes on the guise of horror because it surfaces as the living - dead that refuses to slip away ...
Con- versely , melancholia sets in when the dead object's non - equiva- lence or non - representation materializes . The dead object takes on the guise of horror because it surfaces as the living - dead that refuses to slip away ...
Seite 235
already signaled toward this " occasion " when he proclaimed the radical contingency of the object . If the object is merely an occa- sion for the affect , then the affect ignores referentiality : it cannot be said to be " about " any ...
already signaled toward this " occasion " when he proclaimed the radical contingency of the object . If the object is merely an occa- sion for the affect , then the affect ignores referentiality : it cannot be said to be " about " any ...
Seite 237
Logos is articulated ; it is cut in segments , in articuli , which are used to form words that can refer to the objects that they designate because they function as their " représentants arbitraires , " their " arbitrary representatives ...
Logos is articulated ; it is cut in segments , in articuli , which are used to form words that can refer to the objects that they designate because they function as their " représentants arbitraires , " their " arbitrary representatives ...
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Inhalt
The Future of Testimony | 4 |
Testimony Quantification and Need | 12 |
Lyotard and Psychoanalytic Testimony I | 17 |
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affect African American agency American archive argues articulated attempt become body bombing characters child claims comes context continue critical cultural death Derrida describes desire discourse discussion emerge essay ethical event experience face fact father feel fiction force Fragments Freud future give hand happened Holocaust human Hurston identity impossible incest individual John Johnnie knowledge Kossula's liberal live marks means memory Michigan murder narrative never origin pain past performative person political position possible practices precisely present prison produces question readers reading refer relation remain represent representation response seems sense sexual slave social speak story suffering suggest television tell testify testimony things tion trauma true crime truth turn understand University victims violence voice witness women wounding writing York