Im Buch
Ergebnisse 1-3 von 29
Seite 109
Conversely , melancholia sets in when the dead object's non - equivalence or non - representation materializes . The dead object takes on the guise of horror because it surfaces as the living - dead that refuses to slip away , fall to ...
Conversely , melancholia sets in when the dead object's non - equivalence or non - representation materializes . The dead object takes on the guise of horror because it surfaces as the living - dead that refuses to slip away , fall to ...
Seite 235
already signaled toward this " occasion " when he proclaimed the radical contingency of the object . If the object is merely an occasion for the affect , then the affect ignores referentiality : it cannot be said to be " about ” any ...
already signaled toward this " occasion " when he proclaimed the radical contingency of the object . If the object is merely an occasion for the affect , then the affect ignores referentiality : it cannot be said to be " about ” any ...
Seite 237
Logos is articulated ; it is cut in segments , in articuli , which are used to form words that can refer to the objects that they designate because they function as their " représentants arbitraires , ” their “ arbitrary representatives ...
Logos is articulated ; it is cut in segments , in articuli , which are used to form words that can refer to the objects that they designate because they function as their " représentants arbitraires , ” their “ arbitrary representatives ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
The Future of Testimony | 4 |
Testimony Quantification and Need | 19 |
A Genealogical Perspective | 36 |
13 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
affect African agency American archive argues articulated attempt become beginning believe body bombing Bridge characters child claims comes continue course crime critical cultural death Derrida describes desire discourse discussion essay ethical event experience face fact father feel fiction Fragments Freud future give hand happened Holocaust human Hurston identity individual John knowledge Kossula language limit literature live marks means memory Michigan mourning murder narrative never object origin pain past person political position possible practices precisely present question readers reading referent relation remains represent representation response seems sense sexual social speak story studies suffering suggest television tell testify testimony things thought tion trauma true crime truth turn understand University victims violence voice witness women writing York