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Seite 125
In return , the reader accepts as genuine the " Holocaust reality " which is represented , and enters into a commitment to accompany the author for the duration of the narrative unfolding . Fragments continually shifts in time be- tween ...
In return , the reader accepts as genuine the " Holocaust reality " which is represented , and enters into a commitment to accompany the author for the duration of the narrative unfolding . Fragments continually shifts in time be- tween ...
Seite 143
This narrative temporality dis - possesses the characters of their " now " and sets . them adrift in time . The time of the novel , then , is always and never : " when and if ” ( 154 ) , as Johnnie insists ; " while " ( 203 ) ...
This narrative temporality dis - possesses the characters of their " now " and sets . them adrift in time . The time of the novel , then , is always and never : " when and if ” ( 154 ) , as Johnnie insists ; " while " ( 203 ) ...
Seite 198
Hurston thus strategically distinguishes her authorial voice from the pri- mary narrative of " Barracoon " which she insists is Kossula's story , by writing in the explicit first person and providing a narrative of her visits with ...
Hurston thus strategically distinguishes her authorial voice from the pri- mary narrative of " Barracoon " which she insists is Kossula's story , by writing in the explicit first person and providing a narrative of her visits with ...
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Inhalt
The Future of Testimony | 4 |
Testimony Quantification and Need | 12 |
Lyotard and Psychoanalytic Testimony I | 17 |
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