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Seite 89
The Law and Order characters represent a fantasy of psychic intactness and empathetic presence in the face of relentless violence . ... For each shot of a character speaking , the reverse shot , of another listening , is implied .
The Law and Order characters represent a fantasy of psychic intactness and empathetic presence in the face of relentless violence . ... For each shot of a character speaking , the reverse shot , of another listening , is implied .
Seite 94
We the public are supposed to sense that what holds the characters in their place in television land is their commitment to the mission of ... On television , there is no room for a character to be other than the schematic role .
We the public are supposed to sense that what holds the characters in their place in television land is their commitment to the mission of ... On television , there is no room for a character to be other than the schematic role .
Seite 143
What one character testifies to as fact the next declares to be fiction ; what one names the other negates . ... This narrative temporality dis - possesses the characters of their " now " and sets them adrift in time .
What one character testifies to as fact the next declares to be fiction ; what one names the other negates . ... This narrative temporality dis - possesses the characters of their " now " and sets them adrift in time .
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Inhalt
The Future of Testimony | 4 |
Testimony Quantification and Need | 19 |
A Genealogical Perspective | 36 |
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affect African agency American archive argues articulated attempt become beginning believe body bombing Bridge characters child claims comes continue course crime critical cultural death Derrida describes desire discourse discussion essay ethical event experience face fact father feel fiction Fragments Freud future give hand happened Holocaust human Hurston identity individual John knowledge Kossula language limit literature live marks means memory Michigan mourning murder narrative never object origin pain past person political position possible practices precisely present question readers reading referent relation remains represent representation response seems sense sexual social speak story studies suffering suggest television tell testify testimony things thought tion trauma true crime truth turn understand University victims violence voice witness women writing York