Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 25,Ausgaben 1-22004 |
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Seite 83
... camera's steady focus , has become more and more estab- lished in the series ' thirteen years . In the first episode ( 1990 ) , the detectives are shouting at each other in the office , the lieutenant discloses that he is a recovering ...
... camera's steady focus , has become more and more estab- lished in the series ' thirteen years . In the first episode ( 1990 ) , the detectives are shouting at each other in the office , the lieutenant discloses that he is a recovering ...
Seite 92
... camera lingers on faces as it does in Law and Order , but the faces shown are anguished , eyes wide : there is none of the spectator's remove in these scenarios . These charac- ters , like those on Law and Order , have much empathy ...
... camera lingers on faces as it does in Law and Order , but the faces shown are anguished , eyes wide : there is none of the spectator's remove in these scenarios . These charac- ters , like those on Law and Order , have much empathy ...
Seite 267
... camera moves closer to his face . We notice the saliva in his mouth . " I have the hope , " Leon tells us , " that in the afterlife I am going to see my family again . " Now he looks defiantly ahead , at his interviewer , his lips ...
... camera moves closer to his face . We notice the saliva in his mouth . " I have the hope , " Leon tells us , " that in the afterlife I am going to see my family again . " Now he looks defiantly ahead , at his interviewer , his lips ...
Inhalt
Introduction | 4 |
Testimony Quantification and Need | 12 |
Lyotard and Psychoanalytic Testimony | 17 |
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